Description:

John Hall Thorpe
(1874-1947)
Marigolds 1922
Colour woodcut
Signed & titled lower margin
23 x 18.5 cm, 41 x 51 cm framed

LITERATURE:
John Hall Thorpe, invariably known as Hall Thorpe, was an Australian artist who achieved considerable success in England with his decorative prints of flowers, fruit and landscapes.
Thorpe was born in Sandridge, Victoria and when quite young the family moved to New South Wales, finally settled in Sydney, where he was educated at St John's Grammar School, Parramatta. He studied at the Society of Arts and was briefly employed at the Illustrated Sydney News. He learned the trade or craft of woodblock engraving as an apprentice on John Fairfax's Sydney Mail from 1891. When zinc replaced wood as the engraving medium, he became a staff artist, succeeding Norman Hardy as their principal artist in 1897. He was a member of the (Sydney) Society of Artists, and showed successfully alongside the likes of G. W. Lambert, Sid Long, Dattilo-Rubbo, J. S. Watkins, Edith Loudon, Mildred Rivett, Tom Roberts, W. F. Hughes, C. Lloyd Jones and Howard Ashton.

In 1898 he had several paintings shown at the Grafton Galleries' "Exhibition of Australian Art" in London, and in May 1900 left for England, his position on the Mail having become tenuous with the advent of photo-engraving. He attended Heatherley's School of Art and developed a distinctive style of colored woodcut prints. He exhibited at the Royal Academy's Colonial Exhibition in 1906 alongside Arthur Streeton, G. W. Lambert, Albert Tucker, Edith Lumley and Hayley Lever. A breakthrough came when he received a favorable notice from eminent critic M. Camille Mauclair. Around this time he changed direction and resuscitated his hard-won skills as a woodblock engraver, producing the large, bold bright colorful prints for which he became famous. One of these, A Country Bunch, at 25 by 30 inches (64 by 76 cm) was possibly the largest woodblock color art print ever published. He took control of the whole process; engraving, printing and publishing from his studio at 36 Redcliffe Square, and gallery at 32 Sussex Place, South Kensington, and the results found their way into many homes on both sides of the Atlantic, as well as art collections of the Contemporary Art Society, British Royalty, and the Victoria and Albert Museum.
https://en.wikipedia.org/wiki/Hall_Thorpe

OTHER NOTES:
Good condition some surface foxing probably laid down, later framing, cracked glass

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